Robert Cottingham

OK Harris Gallery, New York
Private collection (acquired directly from the above)

Meisel, Ed., Photorealism, New York, 1980, p. 160 (illustrated)

Created in 1978, a period marked by the ascendancy of photorealism, Cottingham's meticulous exploration of intricate details, precise visuals, and the interplay of light and shadow align seamlessly with the core principles of the photorealist movement. During this era, artists endeavoured to replicate reality with remarkable accuracy, often selecting mundane subjects that diverged from artistic norms. Rat serves as a quintessential example of this approach, elevating an everyday scene into a compelling work of art that challenges perceptions and encourages introspection.

With meticulous precision, the painting captures an observer's perspective from a low angle, framing an unilluminated neon sign boldly spelling out ‘RAT’. This unique viewpoint draws viewers into the scene – an Americana touch of patriotic bunting adds cultural depth, suggesting a connection to the vibrant spirit of the 4th of July. Cottingham employs strategic distortion through the low-angled approach, manipulating light and shadow to cloak the neon sign in an air of mystery. Subdued, nuanced hues intertwine with flashes of bold colours across the canvas, generating a visual tension that commands attention.

Defying conventional aesthetics, Cottingham prompts a reconsideration of our perception of reality. The artwork stands as a quintessential representation of the photorealist movement, resonating with its lasting influence on contemporary art.

A similar artwork was sold at auction for US$253,000 (including buyer’s commission) on 17 November 2007 at Christie’s New York. This sale highlights the enduring appeal and value for works created during this pivotal period of Cottingham’s career.